The main reason we went to Dačice - the main reason for me, anyway - was an exhibition of extant clothes from the end of the 18th century through the 19th to the beginning of the 20th. Those clothes all came from chateaus and museums, or private collections, in the region.
The exhibition was fantastic: just two rooms, but packed full of awesome.
And photographing was allowed.
You can imagine what a happy little marmot I was!
You can see all the photos from the exhibition
here; I'll only post some, because, seriously, 248 photos? :D Hopefully, I'll at least eventually manage to add captions to all of them...
And maybe post some more details of some clothes later. For now, I'm posting this wrap-up post so that I don't feel guilty about not having posted it earlier!
This suit (what
is it called, really?) is from the end of the 18th century. It comes from the collections of the chateau in Jindřichův Hradec; it belonged to Jan Rudolf Černín z Chudenic (a count from the region;
Johann Rudolf Czernin von und zu Chudenitz) and may have been made in France.
This one's another of Jan Rudolf Černín's clothes; it's from 1791, allegedly made in Paris. These two are silk.
This one's Jan Rudolf Černín's from the end of the 18th century as well, but it's woolen, and simpler, indicating a later date, or perhaps a different purpose?
It's got painted buttons. Each of the buttons has a slightly different miniature painting in it. Wow.
The wedding dress of Marie Terezie Černínová, née Orsini-Rosenberg, Vienna 1817. Muslin (obviously). Collections from Jindřichův Hradec.
The manequin was very obviously the wrong size for it; but that meant I got to see how it closes.
I'm not sure whether the tie is just a tie, or whether it's also a drawstring. But notice there's a hook in the middle and an eye on top, alternating on one side: a neat little trick against accidental opening I've read about some time ago on some costuming site. It's proven to be period-correct now. ;-)
Also, there is a patch under the bust on the right side, which you can't really see in the photo, but it made me a very happy little marmot to see that yes, these fabrics tore. Even if you were a countess. And isn't that bodice treatment lovely?
And now my favourite garment from the whole exhibition. Not so much in colour; but the construction and overall silhouette are delicious.
An 1830s dress/wrapper from the museum in Písek. Well, they say it is a day dress. But it's a wrap dress. Silk taffetta. (BTW, they tend not to say many details about the construction in the captions, rather they tell the general history of clothing in the era. Nice for people who know nothing about it, a bit redundant for me.)
I told you. The construction is delicious. Look at that tiny piping at the hems!
Apparently, it closes with fabric-covered buttons and some sort of loops or hidden buttonholes. My guess is the former, because the fabric at the right side was slightly scrunched as if something was sewn to the wrong side - you can sort of see that in the photo.
The details end here. There's too much to post details of everything; these were the earliest, most interesting pieces. Most interesting to me, mind you. (And I even have more details of
them.) If you want to see more, go to the album, as linked above, or let me know in the comments and I'll put the photos with my observations (if I have any) in another post.
From here on, I will post single photos of all the other garments.